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Card may believe that people shouldn’t have the right to marry, and he has every right to believe that. There’s also the question of personal rights. That’s because I didn’t see any of Card’s views that I find objectionable reflected in his work. As a person who strongly supports gay marriage but has also enjoyed Card’s books and gave a positive review to the film version of ‘Ender’s Game,’ I have no problem supporting the two – in this case. To me, it depends on how much of what the artist represents personally is actually represented in his or her work. In the same way, people who saw ‘The Last Temptation of Christ’ believed Martin Scorsese was pushing an anti-Christian agenda. The Jewish people derived from Gibson’s work that he was pushing an agenda. This isn’t a case of Jewish people seeing ‘The Passion of the Christ’ and saying the film reflects the anti-Jewish standpoint of Mel Gibson (I didn’t see that movie, so I have no opinion one way or another).

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This isn’t a movie glorifying gang violence or drug use, which I use only as examples because I can think of so many examples. But where that line resides is, of course, a matter of personal choice.įor me, the problem is that while I couldn’t disagree more with some of Card’s opinions, those views aren’t reflected in his work. On the flip side, how much scrutiny do we pay to the personal opinions of all artists we support, including the ones not as verbal as Card? How much time do we want to spend doing so? Do we need to do background checks on artists before experiencing their work? And does that extend to other products? I know that if I withheld my business from every company donating money to political candidates I don’t like, or whose CEOs have views I don’t care for, I likely would be living in a field somewhere, half-starved and freezing from not having any clothes to wear. Do we want to put money in the pockets of people who represent views with which we disagree? Or, in the case of Card, who has the ability and willingness to put that money into causes we might oppose? “Orson Scott Card is a powerful storyteller with the gift of making mundane things sparkle.” - Los Angeles Times Book ReviewThis brings back a question I’ve often pondered: Do we judge art on its stand-alone merits, or does that judgment extend to the artist personally? By purchasing any eBook from our store, you are not only helping support our website, but you are helping small businesses thrive in a market traditionally dominated by large companies. He lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, and youngest daughter, Zina Margaret.Ĭountries: United States, Canada | Learn more about available countriesįormat: mobi,ePub | Learn More about our supported formatsĭragonmount is a proud provider of DRM-free eBooks. Besides his writing, Card directs plays and teaches writing and literature at Southern Virginia University. He served a mission for the LDS Church in Brazil in the early 1970s. Card was born in Washington and grew up in California, Arizona, and Utah. Card has written many other stand-alone sf and fantasy novels, as well as movie tie-ins and games, and publishes an internet-based science fiction and fantasy magazine, Orson Scott Card's Intergalactic Medicine Show.

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Card has also written fantasy: The Tales of Alvin Maker is a series of fantasy novels set in frontier America his most recent novel, The Lost Gate, is a contemporary magical fantasy. There are seven other novels to date in The Ender Universe series. Ender's Game and Speaker for the Dead both won Hugo and Nebula Awards, making Card the only author to win these two top prizes in consecutive years. Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead. Praise for this book“Orson Scott Card is a powerful storyteller with the gift of making mundane things sparkle.” -Los Angeles Times Book Review

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Then one day she heard a new message, a new purpose ignited in her heart, and new life opened up before her.Īt the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied. On that night in 1829, John Kirkham laid the foundation of his daughter's certainty that the only person Dinah could ever really trust was herself.įrom that day forward, Dinah worked to support her family, remaining devoted to their welfare even in the face of despair and grinding poverty. When ten-year-old Dinah Kirkham saw her father leave their Manchester home in the middle of the night, she basked when he would be back. From the bestselling author of the Ender Universe series comes Orson Scott Card's epic historical novel Saints

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